Uncle Tom's Cabin remains a landmark classic that's never gone out of print. Highly controversial throughout its long life, Uncle Tom, Sambo and little Eva have come into the American language as bywords and as human portraits of the injustices of slavery. Featuring the first African-American hero in literature, the heart wrenching tale of slavery, being "sold down the river" and the breakup of families presents a stirring look at the 19th century's white views of "the peculiar institution" of slavery. 511 pages, softcover with introduction by Alfred Kazin.
Uncle Tom, Topsy, Sambo, Simon Legree, little Eva: their names are American bywords, and all of them are characters in Harriet Beecher Stowe's remarkable novel of the pre-Civil War South. Uncle Tom's Cabin was revolutionary in 1852 for its passionate indictment of slavery and for its presentation of Tom, "a man of humanity," as the first black hero in American fiction. Labeled racist and condescending by some contemporary critics, it remains a shocking, controversial, and powerful work -- exposing the attitudes of white nineteenth-century society toward "the peculiar institution" and documenting, in heartrending detail, the tragic breakup of black Kentucky families "sold down the river." An immediate international sensation, Uncle Tom's Cabin sold 300,000 copies in the first year, was translated into thirty-seven languages, and has never gone out of print: its political impact was immense, its emotional influence immeasurable.
"Uncle Tom's Cabin is the most powerful and enduring work of art ever written about American slavery."