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|Title: The Iliad - eBook|
Translated By: W.H.D. Rouse
Format: DRM Protected ePub
|Publication Date: 2015|
Stock No: WW75854EB
He was one of a long line of bards, or poets, who worked in the oral tradition. Homer and other bards of the time could recite, or chant, long epic poems. Both works attributed to Homer the Iliad and the Odyssey are over ten thousand lines long in the original. Homer must have had an amazing memory but was helped by the formulaic poetry style of the time.
In the Iliad Homer sang of death and glory, of a few days in the struggle between the Greeks and the Trojans. Mortal men played out their fate under the gaze of the gods. The Odyssey is the original collection of tall travellers tales. Odysseus, on his way home from the Trojan War, encounters all kinds of marvels from one-eyed giants to witches and beautiful temptresses. His adventures are many and memorable before he gets back to Ithaca and his faithful wife Penelope.
We can never be certain that both these stories belonged to Homer. In fact Homer may not be a real name but a kind of nickname meaning perhaps the hostage or the blind one. Whatever the truth of their origin, the two stories, developed around three thousand years ago, may well still be read in three thousand years time.
W.H.D. Rouse was one of the great 20th century experts on Ancient Greece, and headmaster of the Perse School, Cambridge, England, for 26 years. Under his leadership the school became widely known for the successful teaching of Greek and Latin as spoken languages. He derived his knowledge of the Greeks not only from his wide studies of classical literature, but also by travelling extensively in Greece. He died in 1950.
“Fitzgerald’s swift rhythms, bright images, and superb English make Homer live as never before…This is for every reader in our time and possibly for all time.”–Library Journal
“[Fitzgerald’s Odyssey and Iliad] open up once more the unique greatness of Homer’s art at the level above the formula; yet at the same time they do not neglect the brilliant texture of Homeric verse at the level of the line and the phrase.” –The Yale Review
“What an age can read in Homer, what its translators can manage to say in his presence, is one gauge of its morale, one index to its system of exultations and reticences. The supple, the iridescent, the ironic, these modes are among our strengths, and among Mr. Fitzgerald’s.” –National Review
With an Introduction by Gregory Nagy
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