Personal Jesus: How Popular Music Shapes Our Souls
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Clive Marsh and Vaughan Roberts show that popular music is used by religious and nonreligious people alike to make meaning, enabling listeners to explore human concerns about embodiment, creating communities, and tapping into transcendence. They assess what is happening to Christian faith and theology as a result. Personal Jesus incorporates case studies featuring noted music artists of our day--including David Bowie, Michael Jackson, Sigur Ros, Pete Seeger, Bruce Springsteen, and Lady Gaga--and includes practical implications for the church, the academy, and daily musical listening. It will be of interest to professors and students of theology and culture, religious studies, and popular culture.
About the Series
The Engaging Culture series is designed to help Christians respond with theological discernment to our contemporary culture. Each volume explores particular cultural expressions, seeking to discover God's presence in the world and to involve readers in sympathetic dialogue and active discipleship.
Number of Pages: 240
Vendor: Baker Academic
Publication Date: 2012
Dimensions: 9.00 X 6.00 (inches)
Availability: In Stock
Series: Engaging Culture
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The authors show that popular music is used by religious and nonreligious people alike to make meaning, enabling listeners to explore human concerns about embodiment, create communities, and tap into transcendence. They assess what is happening to Christian faith and theology as a result. The book incorporates case studies featuring noted music artists of our day--including David Bowie, Michael Jackson, Sigur Rós, Pete Seeger, Bruce Springsteen, and Lady Gaga--and includes practical implications for the church, the academy, and daily musical listening. It also includes a foreword by Tom Beaudoin, author of Virtual Faith.
author of Hipster Christianity
Marsh and Roberts prepare the way for a new style of making theological sense of popular culture. The continued decline of the influence of religious traditions makes this kind of theological study even more imperative. In this situation, Marsh and Roberts show us why studying the lived experience of popular music is an imperative if we want to find out where religion cohabitates with ordinary stuff, more or less openly, today: in the spaces of meaning communicated by music in everyday life.
Fordham University; author of Virtual Faith
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