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Bloch opens with a gripping account of the event that inspired the Tapestry: the swift, bloody Battle of Hastings, in which the Norman bastard William defeated the Anglo-Saxon king, Harold, and laid claim to England under his new title, William the Conqueror. But to truly understand the connection between battle and embroidery, one must retrace the web of international intrigue and scandal that climaxed at Hastings. Bloch demonstrates how, with astonishing intimacy and immediacy, the artisans who fashioned this work of textile art brought to life a moment that changed the course of British culture and history.
Every age has cherished the Tapestry for different reasons and read new meaning into its enigmatic words and images. French nationalists in the mid-nineteenth century, fired by Tapestry's evocation of military glory, unearthed the lost French epic "The Song of Roland," which Norman troops sang as they marched to victory in 1066. As the Nazis tightened their grip on Europe, Hitler sent a team to France to study the Tapestry, decode its Nordic elements, and, at the end of the war, with Paris under siege, bring the precious cloth to Berlin. The richest horde of buried Anglo-Saxon treasure, the matchless beauty of Byzantine silk, Aesop's strange fable "The Swallow and the Linseed," the colony that Anglo-Saxon nobles founded in the Middle East following their defeat at Hastings--all are brilliantly woven into Bloch's riveting narrative.
Seamlessly integrating Norman, Anglo-Saxon, Viking, and Byzantine elements, the Bayeux Tapestry ranks with Chartres and the Tower of London as a crowning achievement of medieval Europe. And yet, more than a work of art, the Tapestry served as the suture that bound up the wounds of 1066.
Enhanced by a stunning full-color insert that includes reproductions of the complete Tapestry, A Needle in the Right Hand of God will stand with The Professor and the Madman and How the Irish Saved Civilization as a triumph of popular history.
R. Howard Bloch, the newly appointed Sterling Professor of French at Yale University, is a scholar of the French Middle Ages whose work spans the subjects of literature, economics, the visual arts and law. Bloch teaches in both the Department of French and the Medieval Studies Program and has served as director of the Division of the Humanities since 2001. His teaching and research have covered topics ranging from a study of epic and romance forms of the 12th and 13th centuries to an examination of the relationship of literature, money and family structure, to medieval comedy to an exploration of the history of printing in the 19th century.
A graduate of Amherst College, Bloch earned his Ph.D. from Stanford University. He taught at the State University of New York, Buffalo, before joining the faculty at the University of California, Berkeley, in 1973. He served there until 1994. In 1995, he moved to Columbia University, where he chaired the Department of French and Romance Philology. He has also taught at the University of Grenoble and the Ecole des Hautes Etudes in Paris. This past year Bloch has been a Getty Scholar at the Getty Research Institute in Los Angeles.
|Format: DRM Protected ePub|
Vendor: Random House
Publication Date: 2009
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