Yet One More Spring: A Critical Study of Joy Davidman - eBook  -     By: Don W. King
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Yet One More Spring: A Critical Study of Joy Davidman - eBook

Wm. B. Eerdmans Publishing Co. / 2015 / ePub

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Format: DRM Protected ePub
Vendor: Wm. B. Eerdmans Publishing Co.
Publication Date: 2015
ISBN: 9781467443968
ISBN-13: 9781467443968

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  1. Warren, Maine
    Age: 45-54
    Gender: female
    5 Stars Out Of 5
    Joy Davidman Lewis, Author
    April 26, 2016
    Michele Morin
    Warren, Maine
    Age: 45-54
    Gender: female
    Quality: 0
    Value: 0
    Meets Expectations: 0


    Her story has all the makings of a melancholy fairy tale: award-winning poet and brilliant writer caught in a disastrous marriage flees to England and meets the world-renowned author she has been pen-friends with since first reading his books. Following her divorce, they marry and enjoy four years of bliss until her death from cancer in 1960.

    C.S. Lewiss fame has made this story a well-known part of Christian lore, but Joy Davidmans identity as a writer is less well-known. Lewis scholar Don W. King has honored the literary legacy of Mrs. Lewis in Yet One More Spring in which the spotlight is on Joys writing, including a collection of recently discovered manuscripts from the home of a family friend. Kings chronological study of both published and unpublished works chronicles Joys journey from secular Judaism to atheism and Communism, and finally to Christianity. It documents her growth as a writer, while also tracking her relationship with C.S. Lewis and her influence upon his writings.

    Philosophical/Religious Development

    Even as a young atheist, Joy Davidman demonstrated a subconscious interest in religious matters. Injustices that she observed drew her into Communism, eventually writing proletarian literature for a magazine and cranking out movie and book reviews with the tone of an Old Testament prophet. She was ahead of her time in calling out the movie industry on its demeaning portrayal of women. Stalins World War II alignment with Hitler started Davidman on the path of disillusionment with The Party, which, ironically, was helped along by her reading of the works of Marx and Lenin. Her troubled marriage to Bill Gresham escalated her realization of her need for Christ, and her reading of C.S. Lewiss books led to the conversion of the worlds most astonished atheist.

    Development as a Writer

    From her earliest days, Joy Davidman wrote with intensity of emotion, often about romantic love:

    This is the way to keep your soul from me;

    Let the sweet lure and the entangled guile

    Crumble before your tolerant clear smile;

    And let your cold and lovely honesty

    With my semblance made of shallow glass

    Read my desires of you as they pass.

    Writing poetry for college publications and political diatribes for the Communist Party gave way to a mundane adjustment to rejection slips and the pressure of having to make a living with her words. Her first novel, Anya, was published in 1940 to mixed reviews, but a second novel (published a decade later) seemed to sacrifice art in the interest of propaganda as she attempted to incorporate her new faith into the narrative flow. When Joys son, Douglas Gresham, unearthed a collection of love sonnets written to C.S. Lewis over a period of years, he brought to light a treasure that demonstrated the full range of her powers as an author.

    Relationship with and Literary Influence upon C.S. Lewis

    As Lewiss brother Warnie would later say, Joy appeared in the mail as just another American fan on January 10, 1950. It was her amusing and well-written letters that sorted her out from the pile, and it became clear that Joy had fallen for Lewis even before they had met. When her husbands infidelity put the final nail in the coffin of their already unstable marriage, Joy sailed for England with the idea that the economy there would stretch her child support checks further in the raising of her two boys. Smoke on the Mountain: An Interpretation of the Ten Commandments was published in 1954 and marked the beginning of literary cross-pollination between C.S.Lewis and Joy. She cites his books nearly a dozen times and he was active in the editing process. Joys beautiful prose is on display:

    . . . we are in danger of forgetting that God is not only a comfort but a joy. He is the source of all pleasure; he is fun and light and laughter, and we are meant to enjoy him.

    However, Kings assessment is that the book was likely written more because of Davidmans need to make money than because of deep spiritual convictions.

    In fact, King seems to reserve his highest esteem for Joys collection of love sonnets, citing them as a breathtaking record of the roller coaster of emotion that accompanied her love for and frustration with C.S. Lewis as he was sorting out his own feelings for her.

    There was a man who found a naked tree

    Sleeping in winter woods, and brought her home,

    And tended her a month in charity

    Until she woke, and filled his quiet room

    With petals like a storm of sliver light,

    Bursting, blazing, blended all of pearl

    And moonshine; he, in wonder and delight,

    Patted her magic boughs and said: Good girl.

    Thereafter, still obedient to the summer,

    The tree worked at her trade, until behold

    A summer miracle of red and gold,

    Apples of the Hesperides upon her,

    Sweeter than Eden and its vanished bowers . . .

    He said: No, no, I only wanted flowers.

    In huge, sweeping gusts of rage, self-pity, and devotion, Joy adores the accidental beauty of his face, while also portraying her future husband in decidedly unflattering terms for his indecisive non-committal air. His ultimate commitment to Joy (in both senses of the word?) may have come as a response to these sonnets for it is almost certain that he saw them at some point prior to their civil marriage, or at least by the time of Joys devastating cancer diagnosis.

    At this point in Joys life, writing gave way to survival, perhaps revealing her truest gift of all, for in brainstorming ideas together with Lewis, she stated: whatever my talents as an independent writer, my real gift is as a sort of editor-collaborator . . . and Im happiest when Im doing something like that.

    And so the happiness of collaboration rolled through some of Lewiss best-loved works which bore the fingerprints of his wife. By the time Lewis had penned Surprised by Joy, he had read Joys essay about her own conversion experience The Longest Way Round in which she also comes to faith kicking and screaming, cites Invictus, alludes to imagery from The Hound of Heaven, and references the writing of George MacDonald. As Joy typed and edited Lewiss work, the exquisite characterization of Orual in Til We Have Faces (my personal favorite of all Lewiss books) took on her intensely feminine perspective. Reflections on the Psalms is a treatment of Old Testament literature in a colloquial style that mirrors the approach of Davidmans Smoke on the Mountain.

    Ironically, after Joys death, Lewiss memoir of loss, A Grief Observed, comes forth in the raw emotion that characterized Joys writing. He describes their marriage as a time that surpassed in happiness all the rest of my life, and in a fitting tribute to all the love and the loss, he closes a love poem to Joy with words that would bring joy to the heart of any lover:

    The pains you give me are more precious than all other gain.

    This was Joy Davidmans gift to C.S. Lewis, and in return, she also found happiness and love and was introduced to the eternal Lover who took the initiative and fell in love with us.

    //

    This book was provided by Wm. B. Eerdmans Publishing Co. in exchange for my review. I am disclosing this in accordance with the Federal Trade Commissions 16 CFR, Part 255 : Guides Concerning the Use of Endorsements and Testimonials in Advertising.
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