Modern Art and the Life of a Culture: The Religious Impulses of Modernism
Buy Item $17.99 Retail: $24.00 Save 25% ($6.01)
In Stock
Stock No: WW851355
IVP Academic / 2016 / Paperback
Quantity:

Add To Cart

Paypal Buy Now
Add To Wishlist
eBook $14.29 View Details
Quantity:


Add To Cart

Paypal Buy Now
Wishlist

Modern Art and the Life of a Culture: The Religious Impulses of Modernism

IVP Academic / 2016 / Paperback

Buy 12 or more for $17.09 each.
In Stock
Stock No: WW851355


  • Other Formats (2)
  • Others Also Purchased (1)
  • In This Series (2)
Other Formats (2)
Description
Availability
Price
Add
Include
  1. In Stock
    $14.29
    Retail: $23.99
    Add To Cart
    0
    $14.29
  2. In Stock
    $17.99
    Retail: $24.00
    Add To Cart
    $17.99
Others Also Purchased (1)
In This Series (2)

Product Description

Modern Art and the Life of a Culture overturns many an evangelical assumption. Those influenced by Francis Schaeffer have tended to denigrate modern art's worldview. Jonathan Anderson and William Dyrness examine the evidence anew, coming to instead celebrate the supernatural in works by Picasso, van Gogh, Kandinsky, Chagall, Friedrich, Russian icons, and more.

Product Information

Format: Paperback
Number of Pages: 265
Vendor: IVP Academic
Publication Date: 2016
ISBN: 0830851356
ISBN-13: 9780830851355
Series: Studies in Theology and the Arts

Related Products

  1. Historical Books: St. John's Bible
    Historical Books: St. John's Bible
    Liturgical Press / 2010 / Hardcover
    $88.49 Retail: $119.95 Save 26% ($31.46)
  2. The Art of The Saint John's Bible: A Reader's Guide to Wisdom Books and Prophets
    The Art of The Saint John's Bible: A Reader's Guide to Wisdom Books and Prophets
    Susan Sink
    Liturgical Press / 2008 / Trade Paperback
    $12.99 Retail: $14.95 Save 13% ($1.96)
  3. Praying the Word: Illuminated Prayers and Wisdom from the Saint John's Bible
    Praying the Word: Illuminated Prayers and Wisdom from the Saint John's Bible
    Donald Jackson
    Liturgical Press / 2008 / Hardcover
    $30.99 Retail: $39.95 Save 22% ($8.96)
    5 Stars Out Of 5 1 Reviews
  4. The Art of The Saint John's Bible: A Reader's Guide to Historical Books, Letters, and Revelation
    The Art of The Saint John's Bible: A Reader's Guide to Historical Books, Letters, and Revelation
    Susan Sink
    Liturgical Press / Trade Paperback
    $13.46 Retail: $14.95 Save 10% ($1.49)

Publisher's Description

Christianity Today's 2017 Book of the Year Award of Merit - Culture and the Arts For many Christians, engaging with modern art raises several questions: Is the Christian faith at odds with modern art? Does modernism contain religious themes? What is the place of Christian artists in the landscape of modern art? Nearly fifty years ago, Dutch art historian and theologian Hans Rookmaaker offered his answers to these questions when he published his groundbreaking work, Modern Art and the Death of a Culture, which was characterized by both misgivings and hopefulness. While appreciating Rookmaaker's invaluable contribution to the study of theology and the arts, this volume—coauthored by an artist and a theologian—responds to his work and offers its own answers to these questions by arguing that there were actually strong religious impulses that positively shaped modern visual art. Instead of affirming a pattern of decline and growing antipathy towards faith, the authors contend that theological engagement and inquiry can be perceived across a wide range of modern art—French, British, German, Dutch, Russian and North American—and through particular works by artists such as Gauguin, Picasso, David Jones, Caspar David Friedrich, van Gogh, Kandinsky, Warhol and many others. This book, the first in IVP Academic's new Studies in Theology and the Arts series, brings together the disciplines of art history and theology and points to the signs of life in modern art in order to help Christians navigate these difficult waters.

Endorsements

As insightful as Hans Rookmaaker's provocative book Modern Art and the Death of a Culture (1970) was in tracing with broad strokes his concern with the cultural demise of Christian values in the post-Enlightenment West, Anderson and Dyrness make probing and illuminating use of the forty-five years of subsequent research to show that the sacred and secular have been far more complexly interwoven than Rookmaaker recognized. The authors, using the same end date, open up a broad spectrum of well-researched and illuminating contextual material that serves as a needed corrective to Rookmaaker's generalized schema and models a multidisciplinary, art-historical and theological approach that is deliberately generous, open and sympathetic rather than confrontational.
-E. John Walford,
professor emeritus of art history, Wheaton College

This is a book we have needed for a long time. The standard story of modern art, told by religious and non-religious people alike, is that it is the art of secularism and pervaded by nihilism. That was the story told by Hans Rookmaaker more than forty years ago in the book that became enormously influential among evangelicals, Modern Art and the Death of a Culture. Anderson and Dyrness tell a very different story. They show that modern art has been pervaded by religious concerns and theological issues. What they have dug up is truly amazing; the book is an eye-opener. They frame their story as a response to Rookmaaker. But the story they tell and the interpretations they offer are for everyone. Only those who refuse to read can ever again think of modern art in the old way.
-Nicholas Wolterstorff,
Noah Porter Professor Emeritus of Philosophical Theology, Yale University, senior research fellow, Institute for Advanced Studies in Culture, University of Virginia

Despite his often biting criticism and emphatic rejections of modern art, those who read Hans Rookmaaker closely know that the care and attentiveness he displayed in engaging the art of his day intimated a valuation far beyond mere condemnation. The same spirit of eager and attentive hospitality can be seen in this rejoinder by Bill Dyrness and Jon Anderson. With the studied investment in their diverse subjects and the poignant reflections emerging throughout, they have demonstrated that both Rookmaaker's vocation and burden are live categories for our time. More than a response to the original, Modern Art and the Life of a Culture is an invaluable companion to Rookmaaker and essential reading for any serious Christian encounter with modern art.
-Taylor Worley,
associate professor of faith and culture, Trinity International University

Author Bio

Jonathan A. Anderson (MFA, California State University, Long Beach) is an artist, art critic and associate professor of art at Biola University. He is the coauthor, along with Amos Yong, of Renewing Christian Theology: Systematics for a Global Christianity and a contributor to Christian Scholarship in the Twenty-First Century: Prospects and Perils.

William A. Dyrness (DTheol, University of Strasbourg; Doctorandus, Free University) is professor of theology and culture at Fuller Theological Seminary. He is the author of many books, including Modern Art and the Life of a Culture (with Jonathan Anderson), Senses of the Soul: Art and the Visual in Christian Worship, Reformed Theology and Visual Culture, Changing the Mind of Missions (with James Engel), Theology Without Borders (with Oscar Garcia-Johnson), and was a general editor of the Global Dictionary of Theology.

Editorial Reviews

"In seven chapters, artist/art critic Jonathan Anderson and noted cultural theologian William Dyrness offer a compelling counter-narrative to Hans Rookmaaker's provocative and highly influential Modern Art and the Death of a Culture. . . . This volume is indispensible not only for Christians seeking to be faithful participants in the contemporary art world (artists, curators, critics, etc.) but anyone desiring a fascinating account of the omission of religious sources feeding modern art. Indeed, by taking modern art on its own terms, the authors have demonstrated convincingly that the standard story of modern art as a purveyor of secularism is untenable, making it impossible ever to view modern art the same way."
"Just what should Christians think of modern art? Is it void of all religious impulses and persuasions? Or is there a deeper vision often left unexplored? Rather than writing off the last century and a half of visual art as purely secular, Anderson and Dyrness meticulously detail the patterns of piety and spirituality that both influenced and empowered artists like van Gogh, Gauguin, Kandinsky, and Warhol."
"This book signals an important mid-course correction in evangelical scholarship about modern art and it should become a staple textbook in college and seminary classes."
"This is a book we have needed for a long time. The standard story of modern art, told by religious and non-religious people alike, is that it is the art of secularism and pervaded by nihilism. That was the story told by Hans Rookmaaker more than forty years ago in the book that became enormously influential among evangelicals, Modern Art and the Death of a Culture. Anderson and Dyrness tell a very different story. They show that modern art has been pervaded by religious concerns and theological issues. What they have dug up is truly amazing; the book is an eye-opener. They frame their story as a response to Rookmaaker. But the story they tell and the interpretations they offer are for everyone. Only those who refuse to read can ever again think of modern art in the old way."
"As insightful as Hans Rookmaaker's provocative book Modern Art and the Death of a Culture (1970) was in tracing with broad strokes his concern with the cultural demise of Christian values in the post-Enlightenment West, Anderson and Dyrness make probing and illuminating use of the forty-five years of subsequent research to show that the sacred and secular have been far more complexly interwoven than Rookmaaker recognized. The authors, using the same end date, open up a broad spectrum of well-researched and illuminating contextual material that serves as a needed corrective to Rookmaaker's generalized schema and models a multidisciplinary, art-historical and theological approach that is deliberately generous, open and sympathetic rather than confrontational."

Ask a Question

Find Related Products

Author/Artist Review

Back
×

Ask a Question

What would you like to know about this product? Please enter your name, your email and your question regarding the product in the fields below, and we'll answer you in the next 24-48 hours.

If you need immediate assistance regarding this product or any other, please call 1-800-CHRISTIAN to speak directly with a customer service representative.