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Number of Pages: 32
|Publication Date: 2013|
Max loves his grandpa. When they must say good-bye after a visit, Grandpa reminds Max that the moon above them at Grandpa’s house is the same moon that will follow him all the way home. And on that swervy-curvy car ride back home Max smiles as the moon tags along, thinking of Grandpa. But when the sky darkens and the moon disappears behind clouds, Max worries that it did not follow him home after all. Yet when the clouds part and light streams through his window, he realizes that Grandpa was right—the moon was with him all along.
Floyd Cooper received the Coretta Scott King Award for The Blacker the Berry, two Coretta Scott King Honors for Honey in Broomwheat Tea and I Have Heard of a Land, and an NAACP image award. His books have also been named to numerous best books list and been given many Parents Choice Awards. In Max and the Tag-Along Moon, his lush paintings perfectly capture the wonder of the moon, the love between grandfather and grandson, and that feeling of magic every child experiences when the moon follows him home.
“Cooper uses his signature style to illustrate both the landscape--sometimes viewed from the car windows or reflected in the vehicle's mirror--and the expressive faces of his characters. Coupled with the story's lyrical text, this is a lovely mood piece. A quiet, warm look at the bond between grandfather and grandson.”
“The full moon is a friendly presence on each spread, and the varied vantage points incorporate soothing imagery, such as a bird silhouetted against the sky. Signs with arrows point the way home, reassuring readers that despite the lengthy trip, Max is heading in the right direction. His face is expressive, clearly conveying his varied emotions, from wonder to happiness and wistfulness. Perfect for one-on-one readings”
—School Library Journal
“Writing in poetic, evocative prose, Cooper offers just the right amount of support to the lush illustrations and the thoughtful, observant hero.”
“There's a softness to the naturalistic double-page scenes, particularly when the moon glow illuminates the night drive through the peaceful landscape and in the close-ups of Max's bedtime preparations. The paintings created using a subtractive process in mixed media help define Cooper's characteristic humanistic images.”