Holy Imagination: A Literary and Theological Introduction to the Whole Bible
Stock No: WW775313
Holy Imagination: A Literary and Theological Introduction to the Whole Bible  -     By: Judy Fentress-Williams

Holy Imagination: A Literary and Theological Introduction to the Whole Bible

Abingdon Press / 2019 / Paperback

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Stock No: WW775313

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Most literary works have one primary voice, a discourse that expresses an author’s dominant culture and ideology. The whole Bible, however, should be read by allowing numerous voices or discourses during a thousand years of literary imagination to emerge and interact. This dialogic reading process introduces theological insights that are larger than the individual parts of the Bible.

Many books about the Bible introduce students to this sacred literature through a critical tour of the historical events and cultures that were present when the authors were at work. Holy Imagination, however, groups sections of the Bible by genre, to include the whole canon.

This "reader’s introduction" is informed by literary theory and theological synthesis. For example, the first section will describe the primordial history in Genesis 1-11 as literary myth. How do we use the term myth when it is applied to the beginning of Genesis? The next section, the ancestral narratives in Genesis 12–50 is described as "formational narratives of identity." How do the stories use sibling rivalry to shape national identity then and now?

Each section in the introduction will identify and describe the genre (myth, historiography, poetry, apocalyptic literature, and so on) and then move into a discussion about its literary characteristics.  Once the range of materials within a genre is evaluated, the introduction will deploy literary tools useful in reading a particular genre. The application of these tools will be guided by a set of "literary rules."

  • Reading is always an act of interpretation.
  • The Bible is a theological text.
  • The Bible is a literary text in that it is written and uses literary devices.
  • Scripture comes to us in a variety of forms/genres and knowing the genre helps the reader in the task of reading.
  • Scripture comes from multiple sources, representing a variety of perspectives over time.
  • These different sources form a dialogue from which greater meaning can be achieved.
  • This dialogue is ongoing and never-ending (always making new meanings).
  • Scripture is highly metaphorical, and metaphor is a distinct form of dialogue.

Holy Imagination can serve as the primary text for an introductory course on the whole Bible.  For instructors who prefer an historical-critical structure, this book could be an appreciated supplementary text that gives new Bible readers the larger picture of the wider biblical literature.

Product Information

Title: Holy Imagination: A Literary and Theological Introduction to the Whole Bible
By: Judy Fentress-Williams
Format: Paperback
Number of Pages: 220
Vendor: Abingdon Press
Publication Date: 2019
Weight: 15 ounces
ISBN: 1426775318
ISBN-13: 9781426775314
Stock No: WW775313

Publisher's Description

Enter the conversation Scripture has been having all along.

Think of Scripture as a conversation. All those different voices throughout the Bible are talking with each other—and with you. When you listen to that whole conversation, you discover truths that are bigger than any single book or verse. This guide looks at the Bible through both literary and theological lenses, organizing sections by their style—whether that’s history, poetry, prophecy, gospel letters, or apocalyptic writing. We’ll explore what makes each type unique and what insights they offer.

Scripture doesn’t just happen to find us—it travels a long way to meet us right where we are. Like poetry, it asks us to pay attention. Poetry doesn’t always make sense at first glance, and it doesn’t promise easy answers. We have to look beyond the surface words to find the images, the sounds, the metaphors that carry real meaning. This kind of writing doesn’t just invite your imagination—it demands it.

Here’s the thing: we’ll never understand everything completely, but we can get close enough. Our imagination helps fill in the gaps where the language is sparse or stories feel incomplete. That’s why we keep coming back to the same passages with fresh eyes. The words stay the same, but we change. We bring new experiences and understanding each time. And that’s exactly why there are always new discoveries waiting for us.

Author Bio

Judy Fentress-Williams (AB Princeton; MDiv and PhD Yale) is Professor of Old Testament at Virginia Theological Seminary since 2002 and taught previously at Hartford Seminary. She is author of several publications, including the Abingdon Old Testament Commentary: Ruth.

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