God in the Gallery: A Christian Embrace of Modern Art - eBook

Daniel A. Siedell (PhD, University of Iowa) is presidential scholar and art historian in residence at The King's College in New York City. He is also visiting professor of Christianity and culture at Knox Theological Seminary. Siedell previously was scholar in residence at the New City Arts Initiative in Charlottesville, Virginia, and served at Coral Ridge Presbyterian Church in Fort Lauderdale, Florida. Prior to that, he taught at the University of Nebraska at Omaha and was curator of the Sheldon Memorial Art Gallery at the University of Nebraska-Lincoln. Siedell has published numerous articles in Christian Scholar's Review, Studies in Religious Perspectives, and various other journals.

Siedell likens Christians' encounter with modern and contemporary fine art to St. Paul's discovery of the “altar to an unknown god” on Mars Hill (Acts 17:23). Responding to those who have called for a separate Christian art (particularly Francis Schaeffer and H.R. Rookmaaker), he strives to reveal what modern art is “only able to point to, not to name.” Siedell uses his in-depth knowledge as former art curator and current assistant professor of art history at the University of Nebraska at Omaha to argue that perceptions of this “legitimate cultural practice” can be “nourished by a robust Nicene Christianity.” These disparate essays tackle subjects both ambitious (a history of modern art) and esoteric (a single work by artist Enrique Martínez Celaya; the conflict between art critics Harold Rosenberg and Clement Greenberg). Siedell's love of contemporary art is obvious, but his sometimes abstruse writing doesn't always clarify his formidable subject; indeed, it may reinforce some Christians' view of modern art as unapproachable. His primary audience is clearly art specialists, whether students or professionals; Siedell's interesting thesis may not reach the larger audience it deserves. (Oct.)Copyright 2008 Reed Business Information.