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|Title: Beyond Measure: The Poetics of the Image in Bernard of Clairvaux|
By: Isaac Slater
Number of Pages: 220
Vendor: Cistercian Publications
Publication Date: 2020
|Dimensions: 8.5 X 5.5 X 5 (inches)|
Weight: 11 ounces
Series: Cistercian Studies
Stock No: WW072797
Bernard continually returns to the classical idea that the quality of desire shapes theological imagination. By attending to the multiple ways he develops and applies this insight, Beyond Measure uncovers a new depth of organic unity to the literary, philosophical, and theological strands densely interwoven through his writings. Bernards apparent iconoclasm with respect to art, affectivity, and the humanity of Jesus is revealed as an alternative mystical aesthetic, congruent with his program for monastic reform. The central movement of Cistercian spirituality from the carnal to the spiritual is shown not to elide but to recapitulate the carnal in higher spiritual expression. Further, this approach provides fresh understanding of the ways in which Bernard is at once "last of the fathers" and "first of the moderns." In particular, a careful reading of works by Julia Kristeva and Jean-Luc Marion on Bernard reveals both the enduring brightness and vitality of his writing and the relevance of his work for people today.
<I>sicuti est</I>' (as he is' - 1 Jn 3:2), and none more than Bernard of Clairvaux. In this clear and illuminating study, Slater demonstrates to what extent Bernard considered this contemplative knowledge possible in this life, to what extent he accepted it as impossible, and how, by the transformation of desire, men and women could be brought closer to the impossible. Reading Slater's book, we are renewed in the willingness to allow the Word to work on who we are interiorly in the unrelinquishable hope of coming to know him for who he is."
Bernard Bonowitz, OCSO, author of Truly Seeking God
"Slater's fresh approach to looking at Bernard as an artist, who saw the world as an artist, communicated as an artist, and appreciated God as the divine artist, is a welcome addition to Bernardine scholarship. Reading this book left me with new questions and insights about what to keep my eyes open for in my own reading of Bernard, and this is one of the things I most hope for in a book such as this."
Cistercian Studies Quarterly
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