Gods and Guitars: Seeking the Sacred in Post-1960s Popular Music
Stock No: WW581395
Gods and Guitars: Seeking the Sacred in Post-1960s Popular Music  -     By: Michael J. Gilmour

Gods and Guitars: Seeking the Sacred in Post-1960s Popular Music

Baylor University Press / 2009 / Paperback

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Stock No: WW581395

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Product Description

* A brilliant analysis of how sacred themes in rock 'n roll reflect the wide-ranging spirituality of our postmodern era. Probing canons of seminal artists from various theological perspectives, Gilmour considers how U2, Cat Stevens, the Rolling Stones, George Harrison, Madonna, Kanye West, and others incorportate religious turns of phrase, motifs, and texts in their works. 180 pages, softcover from Baylor University.

Product Information

Title: Gods and Guitars: Seeking the Sacred in Post-1960s Popular Music
By: Michael J. Gilmour
Format: Paperback
Number of Pages: 180
Vendor: Baylor University Press
Publication Date: 2009
Dimensions: 9.00 X 6 (inches)
Weight: 12 ounces
ISBN: 1602581398
ISBN-13: 9781602581395
Stock No: WW581395

Publisher's Description

Though American attitudes toward religion changed dramatically during the 1960s, interest in spirituality itself never diminished. If we listen closely, Michael Gilmour contends, we can hear an extensive religious vocabulary in the popular music of the decades that followed—articulating each generation's spiritual quest, a yearning for social justice, and the emotional highs of love and sex.

Probing the lyrical canons of seminal artists including Cat Stevens, the Rolling Stones, Bob Dylan, Eric Clapton, Joni Mitchell, Neil Young, U2, Ozzy Osbourne, Pearl Jam, Madonna, and Kanye West, Gilmour considers the ways—and reasons why—pop music's secular poets and prophets adopted religious phrases, motifs, and sacred texts.

Author Bio

Michael J. Gilmour is the author of Call Me the Seeker: Listening to Religion in Popular Music and Tangled Up in the Bible: Bob Dylan and Scripture. He lives in Manitoba, Canada, where he serves on the faculty of Providence College.

Editorial Reviews

What do Salman Rushdie and literary criticism have to do with rock music? For Gilmour (Call Me the Seeker: Listening to Religion in Popular Music), these things are very much related. The author believes that song lyrics can sometimes stand on their own apart from music, and moreover, they can reveal something about an artist’s religious and spiritual views. This may not appear at first to be an enlightened perspective, but the author’s artful use of Rushdie’s fiction clearly shows how it is possible. The usual suspects in the religion and rock conversation (U2, Springsteen) are not as prominent, leaving room for more obscure but equally vital musicians like Daniel Lanois and Burton Cummings. Especially constructive is the chapter "Outrageous Religion," about the influence of sexuality and the occult on some styles of rock music, such as heavy metal. The author also ventures into Hindu and Muslim influences on rock music, a foray that few scholars have attempted. His treatment enriches the dialogue between religion and rock well beyond the usual Judeo-Christian interpretations. Tune in, read on and enjoy.

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