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This collection brings together contributors from richly diverse backgrounds - literature, art history, mass communication, sociology, anthropology, philosophy, theology - to explore a wide range of current issues concerning the interrelationship of religion and film, including approaches to the question of what constitutes cinema's religious dimension. In addition, this volume contains analyses of the changing "religious" language of feature films, reflections on the theology and spirituality found in contemporary movies, developments in mass media studies and film education, and an evaluation of religious trends in third-world cinema.

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