The Divine Comedy: Volume 1: Inferno  -     By: Dante Alighieri
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The Divine Comedy: Volume 1: Inferno

Penguin Putnam Inc. / 2002 / Paperback

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Product Information

Format: Paperback
Number of Pages: 432
Vendor: Penguin Putnam Inc.
Publication Date: 2002
Dimensions: 7.72 X 5.05 X 0.78 (inches)
ISBN: 0142437220
ISBN-13: 9780142437223
Availability: Usually ships in 24-48 hours.

Publisher's Description

 

This vigorous translation of Inferno preserves Dante's simple, natural style, and captures the swift movement of the original Italian verse. Mark Musa's blank verse rendition of the poet's journey through the circles of Hell re-creates for the modern reader the rich meanings that Dante's poem had for his contemporaries. Musa's introduction and commentaries on each of the cantos brilliantly illuminate the text.

 

Author Bio

Dante Alighieri was born in 1265. Considered Italy's greatest poet, this scion of a Florentine family mastered in the art of lyric poetry at an early age. His first major work is La Vita Nuova (1292) which is a tribute to Beatrice Portinari, the great love of his life. Married to Gemma Donatic, Dante's political activism resulted in his being exiled from Florence to eventually settle in Ravenna. It is believed that The Divine Comedy—comprised of three canticles, The Inferno, The Purgatorio, and The Paradiso—was written between 1308 and 1320. Dante Alighieri died in 1321.
Mark Musa is a professor at the Center for Italian Studies at Indiana University. A former Fulbright and Guggenheim Fellow, Musa is the author of a highly acclaimed translation of Dante's Divine Comedy.
Mark Musa is a professor at the Center for Italian Studies at Indiana University. A former Fulbright and Guggenheim Fellow, Musa is the author of a highly acclaimed translation of Dante's Divine Comedy.
Mark Musa is a professor at the Center for Italian Studies at Indiana University. A former Fulbright and Guggenheim Fellow, Musa is the author of a highly acclaimed translation of Dante's Divine Comedy.

Editorial Reviews

"Musa operates on the principle that a translator's first duty is to render the original text as exactly as possible without compromising the literary quality of the work.... [This is] the best English-language version of the Inferno currently available." —Library Journal

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