Playing Before the Lord: The Life and Work of Joseph Haydn  -     By: Calvin R. Stapert
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Playing Before the Lord: The Life and Work of Joseph Haydn

Wm. B. Eerdmans Publishing Co. / 2013 / Paperback

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Product Description

Blends the inspiring story and music of a truly great composer into a compelling narrative

Franz Joseph Haydn (1732-1809) has been called the father of the symphony and the string quartet. A friend of Mozart and a teacher of Beethoven, "Papa" Haydn composed an amazing variety of music -- symphonies, string quartets, concerti, masses, operas, oratorios, keyboard works -- and his prolific output celebrates both the heights and depths of life.

In this fascinating book Calvin Stapert combines his skills as a biographer and a musicologist to recount Haydn's steady rise from humble origins to true musical greatness. Unlike other biographers, Stapert argues that Haydn's work was a product of his devout Catholic faith, even though he worked mainly as a court musician and the bulk of his output was in popular genres. In addition to telling Haydn's life story, Stapert includes accessible listening guides to The Creation and portions of other well-known works to help Haydn listeners more fully appreciate the brilliance behind his music.

Product Information

Format: Paperback
Number of Pages: 282
Vendor: Wm. B. Eerdmans Publishing Co.
Publication Date: 2013
Dimensions: 9.00 X 6.00 (inches)
ISBN: 0802868525
ISBN-13: 9780802868527
Availability: In Stock

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Publisher's Description

Franz Joseph Haydn (1732–1809) has been called the father of the symphony and the string quartet. A friend of Mozart and a teacher of Beethoven, "Papa" Haydn composed an amazing variety of music -- symphonies, string quartets, concerti, masses, operas, oratorios, keyboard works -- and his prolific output celebrates both the heights and depths of life.

In this fascinating book Calvin Stapert combines his skills as a biographer and a musicologist to recount Haydn's steady rise from humble origins to true musical greatness. Unlike other biographers, Stapert argues that Haydn's work was a product of his devout Catholic faith, even though he worked mainly as a court musician and the bulk of his output was in popular genres. In addition to telling Haydn's life story, Stapert includes accessible listening guides to The Creation and portions of other well-known works to help Haydn listeners more fully appreciate the brilliance behind his music.

Endorsements

Calvin Stapert here provides an encounter with Joseph Haydn's life and work that is at once broad in its cultural outlook, confident in its musical explorations, and intimate in its portrayal of the composer's human experience. The music scholar will find an array of Haydn's works, both canonical and farther from the beaten path, revisited with thoughtfulness and keen musical insight. The more casual reader is guided with the gentlest hand toward a rich understanding of what made Haydn's compositional voice so uniquely significant to his era. And Stapert's own voice -- that of a consummate storyteller -- carries the tale of Haydn's remarkable life swiftly along.
-Peter Mercer-Taylor,
University of Minnesota

A wonderful and loving work on a great but often sidelined composer. Stapert captures Haydn's marvelous effervescence as he distills volumes of musicological detail into a manageable and enjoyable read. If one wants to explore the vast variety of opinions on Haydn written over the last two centuries, go no further. Ultimately, Stapert makes a strong case that Haydn belongs in the highest echelons of composers.
-John Nelson,
founding artistic director of Soli Deo Gloria

This excellent study gives a detailed yet eminently readable survey of Haydn's life and brilliant output. . . . Stapert's analyses of important works can be appreciated by readers armed with either scores or recordings, and his glossary entries clearly explain the four dozen or so technical terms he cannot avoid employing. Playing Before the Lord makes a cogent case that, as Stapert so pithily puts it, 'listening to Haydn's music gives us cause to rejoice because it is a revelation of grace, a case in point of the way things really are.'
-Kenneth Slowik,
Smithsonian Institution

Editorial Reviews

Choice (American Library Association)
“This is a nice introduction to the career and music of Joseph Haydn. . . . One extremely positive feature of the book is the author’s ability to explain in a clear fashion the complexities of musical forms. . . . Recommended.”

Catholic Library World
“This most enjoyable work attests to Haydn’s religious devotion and expresses a love for the life of music as a testament to the most spiritual of all arts -- playing before the Lord in authentic love.”

Peter Mercer-Taylor
-- University of Minnesota
"Calvin Stapert here provides an encounter with Joseph Haydn's life and work that is at once broad in its cultural outlook, confident in its musical explorations, and intimate in its portrayal of the composer's human experience. The music scholar will find an array of Haydn’s works, both canonical and farther from the beaten path, revisited with thoughtfulness and keen musical insight. The more casual reader is guided with the gentlest hand toward a rich understanding of what made Haydn’s compositional voice so uniquely significant to his era. And Stapert’s own voice -- that of a consummate storyteller -- carries the tale of Haydn’s remarkable life swiftly along."

John Nelson
-- founding artistic director of Soli Deo Gloria
"A wonderful and loving work on a great but often sidelined composer. Stapert captures Haydn’s marvelous effervescence as he distills volumes of musicological detail into a manageable and enjoyable read. If one wants to explore the vast variety of opinions on Haydn written over the last two centuries, go no further. Ultimately, Stapert makes a strong case that Haydn belongs in the highest echelons of composers."

Kenneth Slowik
-- Smithsonian Institution
"This excellent study gives a detailed yet eminently readable survey of Haydn’s life and brilliant output. . . . Stapert’s analyses of important works can be appreciated by readers armed with either scores or recordings, and his glossary entries clearly explain the four dozen or so technical terms he cannot avoid employing. Playing Before the Lord makes a cogent case that, as Stapert so pithily puts it, 'listening to Haydn’s music gives us cause to rejoice because it is a revelation of grace, a case in point of the way things really are.'"

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