Les Miserables  -     Translated By: Norman MacAfee
    By: Victor Hugo
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Les Miserables

Translated By: Norman MacAfee
Signet Classics / 2013 / Paperback

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Product Description

Les Misérables' classic story has been retold on stage, in film, and in song. Read the entire story in this complete and unabridged paperback edition!

Jean Valjean was convicted for stealing a loaf of bread; upon his release, hardened by years of labor, he steals a pair of candlesticks from a priest. . . and upon his re-capture for the crime, is changed by the priest's forgiveness and grace towards him. He becomes a factory owner, then a mayor, even taking upon himself a small child, Cosette, who was the daughter of one of his employees. However, he is hunted by Inspector Javert, and his reformed life is constantly under threat of discovery. Set against the June Rebellion, this historical novel is renowned for its epic storyline that covers the French political and judicial systems along with the intricate motivations of its memorable cast of characters.

Translated by Lee Fahnestock and Norman Macafee, based on the 19th century Charles E. Wilbour translation. With an introduction by Lee Fahnestock and a new afterward by Chris Bohjalian. 1472 pages, softcover.

Product Information

Format: Paperback
Number of Pages: 1488
Vendor: Signet Classics
Publication Date: 2013
ISBN: 045141943X
ISBN-13: 9780451419439
Availability: In Stock

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Publisher's Description

Introducing one of the most famous characters in literature, Jean Valjean—the noble peasant imprisoned for stealing a loaf of bread—Les Misérables ranks among the greatest novels of all time. In it, Victor Hugo takes readers deep into the Parisian underworld, immerses them in a battle between good and evil, and carries them to the barricades during the uprising of 1832 with a breathtaking realism that is unsurpassed in modern prose. Within his dramatic story are themes that capture the intellect and the emotions: crime and punishment, the relentless persecution of Valjean by Inspector Javert, the desperation of the prostitute Fantine, the amorality of the rogue Thénardier, and the universal desire to escape the prisons of our own minds. Les Misérables gave Victor Hugo a canvas upon which he portrayed his criticism of the French political and judicial systems, but the portrait that resulted is larger than life, epic in scope—an extravagant spectacle that dazzles the senses even as it touches the heart.
This Signet Classics edition is the ONLY completely unabridged paperback edition available today.
Translated by Lee Fahnestock and Norman Macafee, based on the classic nineteenth-century Charles E. Wilbour translation
With an Introduction by Lee Fahnestock
and a New Afterword

Author Bio

Victor Hugo (1802–1885) was the son of a high-ranking officer in Napoleon Bonaparte’s Grand Army. A man of literature and politics, he participated in vast changes as France careened back and forth between empire and more democratic forms of government. As a young man in Paris, he became well-known and sometimes notorious for his poetry, fiction, and plays. In 1845, the year that he began writing his masterwork, Les Misérables, the king made him a peer of France, with a seat in the upper legislative body. There he advocated universal free education, general suffrage, and the abolition of capital punishment. When an uprising in 1848 ushered in a republic, he stopped writing Les Misérables and concentrated on politics. But in 1851, when the president proclaimed himself emperor, Hugo’s opposition forced him into a long exile on the British Channel Islands. There, in 1860, he resumed work on Les Misérables, finishing it the next year. With the downfall of the emperor in 1870, Hugo returned to France, where he received a hero’s welcome as a champion of democracy. At his death in 1885, two million people lined the streets of Paris as his coffin was borne to the Pantheon. There he was laid to rest with every honor the French nation could bestow.

Lee Fahnestock is a translator and writer who lives in New York and Massachusetts. In 2000, the French government made her a Chevalier dans l'Ordre des Arts et des Lettres for her services to French culture. She has translated four volumes of the poetry of Francis Ponge, including The Making of the Pré, The Nature of Things and Vegetation, and Paul Fournel’s novel Little Girls Breathe the Same Air As We Do. With Norman MacAfee, she translated two volumes of the letters of Jean-Paul Sartre to Simone de Beavoir, Witness to My Life and Quiet Moments in a War, as well as Les Misérables. She is writing an extended study of Victor Hugo's Paris. She is active with organizations promoting literary translation and served as president of the American Literary Translators Association.  

Norman MacAfee is a writer of poetry, prose, and performance works, a translator, editor, and visual artist. Some of his most recent books are The Gospel According to RFK: Why It Matters Now; The Death of the Forest, an opera by Norman MacAfee to music of Charles Ives; and his selected poems, One Class. In addition to Les Misérables, he and Lee Fahnestock translated two volumes of the letters of Jean-Paul Sartre to Simone de Beauvoir (Witness to My Life and Quiet Moments in a War). He translated (with Luciano Martinengo) Poems: Pier Paolo Pasolini; and (with Luigi Fontanella) Daniele del Giudice’s novel Lines of Light. He also translated from the French the legendary long-lost manuscript Heroines, by the lesbian surrealist photographer Claude Cahun, in Inverted Odysseys by Shelley Rice. He writes for The Huffington Post. He lives in Greenwich Village.

Editorial Reviews

"Hugo's genius was for the creation of simple and recognizable myth. The huge success of Les Misérables as a didactic work on behalf of the poor and oppressed is due to his poetic and myth-enlarged view of human nature." —V. S. Pritchett


"It was Tolstoy who vindicated [Hugo's] early ambition by judging Les Misérables one of the world's great novels, if not the greatest… [His] ability to present the extremes of experience 'as they are' is, in the end, Hugo's great gift." —From the Introduction by Peter Washington

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Q: What are the dimensions of this Oct 2013 publication?


The publisher lists the dimensions as 4.37 x 6.88in.


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