The story of the Iliad centers on the critical events in the last year of the Trojan War, which lead to Achilles'' killing of Hector and determine the fate of Troy. With compassion and humanity, he presents a universal and tragic view of the world, of human life lived under the shadow of suffering and death, set against a vast and largely unpitying divine background. 528 pages, paperback.
E.V. Rieu’s beloved translation of the great war epic of Western literature, revised and updated by D. C. H. Rieu
One of the foremost achievements in Western literature, Homer's Iliad tells the story of the darkest episode of the Trojan War. At its center is Achilles, the greatest warrior-champion of the Greeks, and his conflict with his leader Agamemnon. Interwoven in the tragic sequence of events are powerfully moving descriptions of the ebb and flow of battle, the besieged city of Ilium, the feud between the gods, and the fate of mortals.
For this Penguin Classics edition, classicist D. C. H. Rieu has revised the work of his father, E. V. Rieu, celebrated translator and founding editor of the Penguin Classics imprint. The book also includes an introduction and notes by Peter V. Jones.
Homer is believed to have lived c. 754-700 b.c. in Ionia and to be the author of the earliest works of Western literature.
E. V. Rieu was a celebrated translator from Latin and Greek, and editor of Penguin Classics from 1944-1964. His son, D. C. H. Rieu has revised his work.\
Peter Jones is former lecturer in classics at the University of Newcastle upon Tyne.
“Fitzgerald has solved virtually every problem that has plagued translators of Homer. The narrative runs, the dialogue speaks, the military action is clear, and the repetitive epithets become useful text rather than exotic relics.” –Atlantic Monthly
“Fitzgerald’s swift rhythms, bright images, and superb English make Homer live as never before…This is for every reader in our time and possibly for all time.”–Library Journal
“[Fitzgerald’s Odyssey and Iliad] open up once more the unique greatness of Homer’s art at the level above the formula; yet at the same time they do not neglect the brilliant texture of Homeric verse at the level of the line and the phrase.” –The Yale Review
“What an age can read in Homer, what its translators can manage to say in his presence, is one gauge of its morale, one index to its system of exultations and reticences. The supple, the iridescent, the ironic, these modes are among our strengths, and among Mr. Fitzgerald’s.” –National Review
With an Introduction by Gregory Nagy
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