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Favorite Scripture Verse: Romans 8:25 - If we hope for what we do not have, we wait for it patiently. Based on Romans 8:28, "All things work together for good to those who love God."

 Rewriting: Getting it Right: by Deb Raney

The longer I write, the more I realize that the real work of writing happens after the first draft is finished, in the rewriting process. Here are some of the things I’ve learned that help make a good manuscript really sing:

Layering in the Six Senses

  • Sight—the easiest to write: setting the visual scene. But don’t forget the less obvious visuals (light and shadow, variations of color, visual texture, etc.)

  • Sound—dialogue is the most obvious, but adding in background sounds, music, etc. brings a book to life. Even the sound of a character’s breathing—heavy or shallow or gasping for breath—can add drama and emotion.

  • Smell—what would make the character know that particular setting, even if he were wearing earplugs and a blindfold?

  • Taste—not merely that of food and drink, but the tastes that express emotion (bitter bile in the throat, the taste of a kiss, etc.).

  • Feel—the tangible textures the character feels not just with fingers, but with the rest of the skin; don’t forget emotional feelings, but be careful not to merely tell the reader, but instead show with body language and dialogue.

  • Sixth Sense—the supernatural, intangible, intuitive, or spiritual.

    Deepening Characterization

  • Add a couple carefully woven sentences of backstory.

  • Play up a character’s quirk or habit.

  • Write a poignant scene that reveals a hidden or softer side of the character.

  • Give a character a signature phrase or pet word, or quirky language.

  • Add music. Give your character a musical instrument to play, or a favorite type of music, a habit of whistling, etc.

  • Give your character a collection, a hobby, or a ministry. What is he/she passionate about?

  • Give your character a pet.

    Weaving Subplots into the Main Plot

  • Make a list of all the subplots.

  • Identify where each subplot was first introduced

  • Track it throughout the storyline

    Is it being put to the best use in the story? If not, consider reworking, to weave it in more seamlessly, or eliminate it.

    Marking Time in the Story/Graphing a Timeline

  • Add a dateline at the beginning of each chapter if appropriate.

  • Use creative, but unobtrusive time markers (rising sun, church bells, autumn leaves, etc.).

  • Give reader the time, season, year, etc. through actual dialogue.

  • Use tags and beats to mark time.

  • Making Dialogue Real

    What dialogue should accomplish:

  • helps show, rather than tell

  • moves the story forward

  • creates and sustains conflict

  • shows the relationships between characters

  • deepens characterization in a variety of ways

  • enhances the story's mood or tone

  • injects humor and other emotions

  • causes the reader to empathize with a character

    Read dialogue aloud to determine:

  • Does the line tell us something about the character's beliefs, moral character, personality, etc.?

  • Does the dialogue add to the conflict of the story, and move the plot along?

  • Does the line ring true for the age, socio-economic status, nationality, etc. of the character?

  • Does the line reflect the character's level of education and/or intelligence?

  • Does it sound like real life? Is it what the character would actually say in this situation, era, society, etc., were it real life? (But “adjust” for the reader’s eye.)

  • Does the dialogue give readers a sense of the setting?

  • Is the dialogue fresh and often surprising and unexpected?

    Fine-tuning the Details

  • Fix simple typographical or spelling errors, comma placement, etc. This is also the time to catch places where you used "their" but meant "there," etc.

  • Delete overused or repeated words or phrases.

  • Don’t overwrite. Trust your reader to get it the first time.

  • Eliminate pet words or phrases. Every author has them; sometimes a different set for each book.

  • Fix timeline glitches you didn't catch before.

  • Clarify character movements that don't make sense.

  • Fix any place that makes you do a double take or ask yourself, "What in the world did I mean by that?"

  • Check visual issues (white space, etc.) ie. the way the manuscript appears graphically. Break long paragraphs of narrative into smaller ones. (Often long sections without dialogue indicate a scene that is being told rather than shown. Consider inserting brief snippets of dialogue into such sections to make them more active and immediate.)

  • Titles by Deborah Raney
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