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Number of Pages: 336
Publication Date: 2008
|Dimensions: 8.30 X 5.50 (inches)|
Availability: Expected to ship on or about 09/01/15.
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Hundreds of thousands were enthralled by the luminous voice of John Ames in Gilead, Marilynne Robinson's Pulitzer Prize-winning novel. Home is an entirely independent, deeply affecting novel that takes place concurrently in the same locale, this time in the household of Reverend Robert Boughton, Ames's closest friend.
Glory Boughton, aged thirty-eight, has returned to Gilead to care for her dying father. Soon her brother, Jack--the prodigal son of the family, gone for twenty years--comes home too, looking for refuge and trying to make peace with a past littered with tormenting trouble and pain.
Jack is one of the great characters in recent literature. A bad boy from childhood, an alcoholic who cannot hold a job, he is perpetually at odds with his surroundings and with his traditionalist father, though he remains Boughton's most beloved child. Brilliant, lovable, and wayward, Jack forges an intense bond with Glory and engages painfully with Ames, his godfather and namesake.
Home is a moving and healing book about families, family secrets, and the passing of the generations, about love and death and faith. It is Robinson's greatest work, an unforgettable embodiment of the deepest and most universal emotions.
Home is a 2008 National Book Award Finalist for Fiction.
Marilynne Robinson is the author of Gilead, winner of the Pulitzer Prize for Fiction and the National Book Critics Circle Award, and Housekeeping, winner of the Hemingway Foundation/PEN Award. Home received the Orange Prize, the L.A. Times Book Prize, and was a finalist for the National Book Award. Robinson's nonfiction books include Absence of Mind, The Death of Adam, and Mother Country, which was nominated for a National Book Award. She teaches at the University of Iowa Writers' Workshop and lives in Iowa City.
About this Guide
The following author biography and list of questions about Home are intended as resources to aid individual readers and book groups who would like to learn more about the author and this book. We hope that this guide will provide you a starting place for discussion, and suggest a variety of perspectives from which you might approach Home.
One of "Home's" pleasures is watching Glory and Jack rediscover each other after years of separation and misunderstanding. Each possesses a wry, almost mordant sense of humor; for such a serious writer, Robinson can be very funny. Through hardship and humor, these two siblings find in one another an empathy unique to those in the same gene pool, shouldering a similar burden of parental expectations.
In both Home" and "Gilead," Robinson appears to be considering (among myriad themes and issues) the ravaging, irremediable loneliness of the unbeliever. She embeds her inquiry in a lode of theological history, and a nest of comforting physical details. "Home's" deepest pleasures may come from the exchanges (which form the novel's body) between Glory and Jack - tentative, difficult, sore with love, anguish, insight, told through Glory's exquisitely nuanced perceptions in clean, simple, luminous language. (Robinson's prose soothes and calms, itself a balm.) Jack strives to prove himself, relapses and self-lacerates, retriggering everyone's sorrow, not least that of a father who hardens as he diminishes - a spectacle so universal in its particularity it becomes nearly unbearable. We may hope, "Home" finally suggests, that things will one day settle, in unanticipated ways. Robinson loves the word "settle," and by it she does not mean resignation.
"Home" offers such intricate characterizations, so many passages of surpassing wisdom and beauty, one yearns to quote page after page. It rejoices in the humblest actions - giving a haircut, weeding, making meals, coffee - the holiness of the daily. As handily as it fits Frost's famous lines, "Home" also calls to mind those of the late, entirely unreligious E.B. White: "All that I ever hope to say, is that I love the world.
Any novel from Marilynne Robinson arrives with a sense of the miraculous. More than two decades passed between the publication of her quietly earth-shattering debut, HOUSEKEEPING, a book that remains a modern classic, and its triumphant, expansive follow-up, GILEAD, a Pulitzer Prize-winner in 2005. We can be grateful to not have to wait so long for HOME Marilynne Robinson lives up to her dazzling reputation.
HOME takes up with the elderly and ailing Reverend Boughton-neighbor and friend of Gilead's narrator, the Reverend John Ames-and his daughter and wayward son. Animated by Robinson's quietly unassailable love for and faith in them, they rise off the page and grip us with the drama of their lives
[Robinson's] prose is our flight out, a keen instrument of vision and transcendence. The book is told from the perspective of Glory, so this language is given a compelling personal voice While the men work out their splintery emotions, the wisdom and grace of the book resides in the quiet voice of the woman who loves them.
Robinson, one of America's most quietly thrilling novelists, paints a serene Iowa landscape which contrasts with Glory's memories of Jack, her father's ancient anger and her struggle to make peace with two men who have kept her on the edges of their orbits.
A prodigal son returns in brilliant 'Gilead' sequel
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