In this eye-opening book, the first to investigate the explosion of the multibillion-dollar preschool entertainment business and its effects on families, Dade Hayes -- an entertainment expert, author, and concerned father -- lifts the veil on the closely guarded process of marketing to the ultra-young and their parents.
Like many parents, Dade Hayes grabbed "me time" by plopping his daughter in front of the TV, relaxing while Margot delighted in the sights and sounds of Barney and the Teletubbies. But when Margot got hooked, screaming whenever the TV was turned off, Hayes set out to explore the vast universe of this industry in which preschoolers devour $21 billion worth of entertainment.
Going behind the scenes to talk with executives, writers, and marketers who see the value of educational TV, Hayes finds compelling research that watching TV may raise IQs and increase vocabularies. On the other side, he brings in the voices of pediatricians and child psychologists who warn against "babysitter TV" and ask whether "TV trance" is healthy -- in spite of the relaxation that the lull affords exhausted parents -- as recent studies link early television viewing with obesity, attention and cognitive problems, and violence.
Along the way, Hayes narrates the fascinating evolution of Nickelodeon's bilingual preschool gamble, Ni Hao, Kai-lan, from an art student's Internet doodles to its final product: an educationally fortified, Dora-inflected, test audience-approved television show. At the show's debut, jittery experts hold their breath as the tweaked and researched Kai-lan faces Mr. Potato Head in the battle for a three-year-old's attention.
Anytime Playdate reveals the marketing science of capturing a toddler's attention, examining whether Baby Einstein and its ilk will make babies smarter, or if, conversely, television makes babies passive and uncritical, their imaginations colonized by marketing schemes before they even speak. It tells us why the raucous Dora the Explorer has usurped Blues Clues for preschool primacy, why the Brit hit In the Night Garden won't follow Teletubbies into American tot stardom, and why the comparatively quiet and wholesome Sesame Street has reigned for decades. Hayes vividly portrays the educators, psychologists, executives, parents, and, lest we forget, kids who have shaped the history of children's television, uncovering the tensions between the many personalities, the creative foment that combines story, music, and message in this medium to produce today's almost dizzying array of products and choices.
In the end, Hayes gives readers a provocative but balanced portrait of an age in technological transition, and shows that what's at stake in the "Rattle Battle" is nothing less than the character of the next generation.
Dade Hayes is assistant managing editor of Variety, based in New York. He runs the editorial operations of the New York office and writes about television, film, business and publishing. He spent six years as a reporter and editor at Variety in Los Angeles. In 2004, Hayes co-wrote Open Wide: How Hollywood Box Office Became a National Obsession, which was published by Miramax Books. One of many positive reviews, in The Atlantic Monthly, called it “a classic” and the book was featured in The New Yorker and on public radio’s “Fresh Air.” Hayes was previously a senior editor at Entertainment Weekly and a reporter for the Los Angeles Times and Associated Press. His freelance writing has appeared in TV Guide, The Boston Globe and Premiere. He lives in Manhattan with his wife, Stella, and daughter, Margot.
After introducing his infant daughter to TV, Variety editor and author Hayes (Open Wide: How Hollywood Box Office Became a National Obsession) begins to wonder how the $21-billion preschool marketTV shows, DVDs, CDs and tie-in toysworks behind the scenes. He sets out to question the experts, including honchos at Nickelodeon and CTW, as well as entrepreneurs such as Julie Clark, whose brainchild was Baby Einstein. Hayes gives a nod to the American Academy of Pediatrics recommendation of no screen time for children under two, but also notes that only 6% of parents are aware of it. He learns, too, that there has been no government research to study preschool media use. Raised on Mr. Rogers and Sesame Street in a pro-TV family (his father worked in the biz), Hayes doggedly follows the paths of such heavy hitters as Dora the Explorer and Blues Clues, dissecting their appeal and pondering the merits of TV for the very young even while continuing to let his daughter tune in. While one pundit notes, The content on television... can open windows and widen horizons for children who otherwise dont have those experiences, the effect is eerily chilling when Hayess newborn son tilts his head toward the screen. (May) Copyright 2008 Reed Business Information.
"This is a great tale of big business and tiny consumers. Now I know what goes into creating a half hour of distraction for my kids -- and it's fascinating and frankly a bit terrifying." -- A. J. Jacobs, author of The Know-It-All and The Year of Living Biblically
"In this snappily written account of television and new media's impact, Dade Hayes shows why our electronic babysitters have more sway than most teachers. Hayes takes readers inside the production factories that craft the programs and inside the economic forces that shape what our children see. Whether you're a parent of young children or a civilian, you want to read this thought-provoking book." -- Ken Auletta, author of Three Blind Mice: How the TV Networks Lost Their Way and Backstory: Inside the Business of News
"Anytime Playdate is an effervescent tour of America's new infant media empire. Dade Hayes weighs the pros and cons of being raised on video in a helpful, sprightly, and comprehensive fashion, combining a parent's concern with a skilled business reporter's acumen." -- Alissa Quart, author of Branded: The Buying and Selling of Teenagers and Hothouse Kids: The Dilemma of the Gifted Child
"With both the objective eye of a first-class journalist and the subjective eye of a new father, Hayes takes you behind the scenes of an industry that each year creeps closer to creating programming for our children in utero." -- Allison Burnett, author of Christopher and The House Beautiful
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